Gwilym Simcock - Good days at Schloss Elmau
Unaccompanied piano performance is a challenge 30-year-old Gwilym
Simcock hasn't confronted since his childhood classical training, and
one that's all the greater because it invites comparison with a
significant personal influence: Keith Jarrett.
But this highly varied
set is more explicitly classical in its harmonic mobility and melodic
flourishes and more elaborately composed than Jarrett's jazz work. Simcock can play so many things at once, while often developing
pieces through progressions of modulations and changing motifs that a
few listenings are required to tease it out.If this all-original and
mostly first-take set has any drawbacks, they come from occasional
over-elaboration and the odd hint of sugariness.
But it's mostly an
awesome solo debut. The chord-rammed blizzard of sound on Wake Up Call
borders on free music, Northern Song recalls Django Bates's melodies and
the bluesy, sublimely paced and faintly Mehldauesque Gripper is surely
one of the great contemporary jazz piano performances.
4 Stars - John Fordham - Guardian UK
1. These Are The Good Days - 06:06 (Gwilym Simcock)
2. Mezzotint - 06:37 (Gwilym Simcock)
3. Gripper - 06:35 (Gwilym Simcock)
4. Plain Song - 05:49 (Gwilym Simcock)
5. Northern Smiles - 05:44 (Gwilym Simcock)
6. Can We Still Be Friends? - 12:17 (Gwilym Simcock)
7. Wake Up Call - 05:27 (Gwilym Simcock)
8. Elmau Tage - 09:28 (Gwilym Simcock)
Gwilym Simcock / piano
Produced by Siggi Loch with the artist
Recorded at Schloss Elmau by Florian Oestreicher, September 2, 2010. Mixed and mastered by Curtis Schwartz and Gwilym Simcock.