Adam Baldych & Helge Lien Trio - Brothers

2017 release

The title of Adam Bałdych’s previous album from 2015 was “Bridges”. And indeed, the Polish violinist is one of the leading builders of bridges between genres in current European jazz. Only 31 years old, he already has a whole sheaf of distinguished awards to his name, notably an ECHO Jazz Prize. His music combines Polish folk, classical music and many different kinds of jazz. He plays with an astonishing technical range, in which classical finesse is combined with swirling improvisation - and the defiant energy and power of rock music. Since 2015, Bałdych has been building these kinds of bridges in the company of the Norwegian Helge Lien Trio. “With Helge, Frode and Per Oddvar we have clocked up thousands of kilometres together; these musicians are way more than just a backing band,” says the violinist.

Adam Bałdych’s new album is called “Brothers,” and is dedicated to the memory of his brother who passed away. So, for Bałdych and his band colleagues, it is about far more than either mere virtuosity or entertainment. “I would like my music,” says Bałdych, “to ingrain itself into the present time, and also to reflect it. It should take on board the cares and the yearnings of now. What I really wish for my music is that it should convey a message about love and beauty; more than ever we ought to feel that we are brothers and sisters, in order to understand each other better.” This lofty goal is reflected in track titles such as “Faith”, “Love”, “One” and “Shadows”. And through all that shared experience of playing with Helge Lien on piano, Frode Berg on bass and Per Oddvar Johansen on drums, Bałdych has the ideal means to express many different aspects of brotherliness through music. The group is also joined on some tracks by Norwegian saxophonist Tore Brunborg, known for his work with artists such as Tord Gustavsen and Manu Katchè.

That deep sense of brotherliness between musicians is the starting-point for this band: “Only with complete trust and understanding can we achieve the objective of musical unity,” says Bałdych. “What we want is to embark on musical journeys without compromises, and to have the courage to discover the unknown.” This unity in their way of making music shines through in all nine tracks on this CD, of which eight are original compositions by Bałdych. The album also hangs together convincingly as a whole – to some extent it has become a concept album. Bałdych draws an extended arc which runs from the heavy and rocky anthem “Elegy”, through the ballad “Faith” which carefully draws the listener into its confidence and modulates from major to minor. It then takes in a lyrical pledge of unity (”One”) and the title track “Brothers” which agitatedly circles around its theme, and arrives at a point where “Hallelujah” by Leonard Cohen seems to emerge from nothingness, and quietly to disappear back into it.