Here’s the thing: If you who are reading this consider yourself an audiophile but you don’t own some version of Jazz at the Pawnshop, trust me, you’re not really an audiophile.
It’s been around now in various formats for some four decades, so you’ve had plenty of chance to hear and obtain it. The recording has developed something of a cult following among those in the know, and for good reason. It’s hard to argue with them; the performances are first-rate and, more important, the sound is terrific.
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