Eunhye Jeong-Michael Bisio Duo with Joe McPhee and Jay Rosen - Morning Bells Whistle Bright

This music “concerns real energy vibrating through the music past present future” is about where the drone drones. Where the hope “is that people liberate themselves through their own individual power” like “Morning Bells Whistle Bright” original says every life starts from the patience about pre-birthing, waiting for the first sound (after birth!) McPhee’s horn brings this melodic anxiety with his saxophone’s new yet ancestral terms for hope. “This ideal humanity is aligned with nature at the same time it is a way to reconnect with ancient wisdom”

The other tales of her journey warrant stopping to make camp for her piano kindling. And “connect: something of an old soul in Eunhye offers… more free esoteric than Avant-Garde appealing. Something allergic to cliché and postcard swing in her mindful hands. Overwhelming if simplicity can be! Day-breaking in smallest loud places. On the other side of the moon is not dark shadow in Eunhye’s piano but rather an introducing of illumination. With no map or chart something neither crowded, toxic, or of intentions to impress (in a Jazz propaganda intellect) but rather rub down, as if each key an unknown oil of sound, and without force or intimidation, but by way of making a verb out of the word one, this piano reinvents itself… as all great stories due. The sounds between the ones where whatever we know vanishes into a freedom of conscious heart.

Jeong/Bisio Duo:
Eunhye Jeong, piano 1-8, 10
Michael Bisio, bass 1-7, 9-10
with special guests:
Joe McPhee, tenor saxophone 5-7, 10
Jay Rosen, drums 5-10