Pasquale Grasso - Be-Bop!

Be-Bop! kicks off in exhilarating fashion with Dizzy’s quintessential composition, “A Night in Tunisia,” originally composed in 1942 when he was a member of Benny Carter’s band and which marked the beginning of Gillespie’s unique blending of Afro-Cuban rhythms with American jazz. Grasso achieves an astonishing balance of technical wizardry and swing, sounding like two guitarists coming out of the gate on the challenging head on top of the syncopated Latin rhythm. And his fleet-fingered solo break at the 1:03 mark is in the breathtaking tradition of Charlie Parker’s famous alto sax break from his 1946 Dial recording of the tune. Pasquale’s stream of single notes that follows for the next two minutes in his solo is even more astounding, brimming with rare facility and abandon to match his fertile imagination. Roland also turns in an animated bowed bass solo here while drummer Keith Balla engages in some slick trades with the leader near the end of the piece. Finally, catch Grasso’s brief dazzling quote from one of Paganini’s Caprices (the extremely difficult No. 24 in A minor) in the coda.

Backed by his working trio of bassist Ari Roland and drummer Keith Balla, the trio is in sync through super-up-tempo, challenging fare like “Groovin’ High,” “Cheryl,” “Ornithology,” “Be-bop” and “Shaw ‘Nuff.” “Dizzy’s tune ‘Shaw ‘Nuff’ reminds me of all the hours I would spend listening to Bird and Diz, growing up in my home town in Italy,” Grasso says. “It’s based on Gershwin’s ‘I Got Rhythm,’ possibly the most common set of chord changes we jazz musicians love to play over.” Listen here.

The trio settles into a more relaxed vibe on Thelonious Monk’s gorgeous ballad “Ruby, My Dear” and on Parker’s “Quasimodo,” which features superb octave playing by Grasso and a brilliant bowed solo by Roland, and the trio takes its time on the lush “Lamento Della Campagnia,” based on the Billie Holiday torch song “Some Other Spring.” As the 33-year-old Grasso explained, “I had a tough time last year and Billie’s version of ‘Some Other Spring’ got me through some hard times, so I decided to record it.”

Special guest vocalist Samara Joy, who has been collaborating with Pasquale since 2020, appears on one track, the jivey mid-tempo swinger “I’m in a Mess” (originally sung by Joe Carroll on Gillespie’s 1951 album, School Days). “She’s incredibly talented and I’m happy to perform with her night after night,” Grasso said. “We’re having a lot of fun together.”