Paul Simon - There Goes Rhymin' Simon / hybrid SACD

2023 release

Retaining the buoyant musical feel of Paul Simon, but employing a more produced sound, There Goes Rhymin' Simon found Paul Simon writing and performing with assurance and venturing into soulful and R&B-oriented music. Simon returned to the kind of vocal pyrotechnics heard on the Simon & Garfunkel records by using gospel singers.

On "Love Me Like a Rock" and "Tenderness" (which sounded as though it could have been written to Art Garfunkel), the Dixie Hummingbirds sang prominent backup vocals, and on "Take Me to the Mardi Gras," Reverend Claude Jeter contributed a falsetto part that Garfunkel could have handled, though not as warmly. For several tracks, Simon traveled to the Muscle Shoals Sound Studios to play with its house band, getting a variety of styles, from the gospel of "Love Me Like a Rock" to the Dixieland of "Mardi Gras."

Simon was so confident that he even included a major ballad statement of the kind he used to give Garfunkel to sing: "American Tune" was his musical State of the Union, circa 1973, but this time Simon was up to making his big statements in his own voice. Though that song spoke of "the age's most uncertain hour," otherwise Rhymin' Simon was a collection of largely positive, optimistic songs of faith, romance, and commitment, concluding, appropriately, with a lullaby ("St. Judy's Comet") and a declaration of maternal love ("Loves Me Like a Rock") -- in other words, another mother-and-child reunion that made Paul Simon and There Goes Rhymin' Simon bookend masterpieces Simon would not improve upon (despite some valiant attempts) until Graceland in 1986.

William Ruhlmann  AMG

Many rightly consider the iconic singer-songwriter's third album a masterpiece - one that, per critic Robert Christgau, 'suggests a new grace and flexibility for the mass-pop mode, and invests small subjects and emotions with an almost luminous wit and awareness.' Musically, the record runs the gamut with Jamaican-leaning rhythms and orchestral flourishes at home alongside blues currents and New Orleans-soaked brass accents. Simon's instinct for conveying strong narratives with heartfelt emotion completes a trifecta of instrumentation, arrangement, and delivery.

Mastered from the original analog master tapes, Mobile Fidelity's hybrid SACD elevates the 1973 effort to audiophile status. Newly revealed transparency, presence, balance, immediacy, and darkblack backgrounds showcase the scope and craft of Simon's alluring melodies - as well as vocal performances that, arguably, remain the album's standout element. Simon's singing hits peaks that equal or best those on any of his other works. Assured, natural, and supple, his baritone resonates with immersive realism and extension. As the man said, 'everything looks worse in black and white.' Rest assured: Mobile Fidelity's SACD plays with the greens of summers and those nice bright colors!

 Numbered Hybrid Stereo SACD