1996 CD release. Now in slimline packaging.
Masada has quickly become one of John Zorn's most popular and adventurous musical projects. These special arrangements for small ensembles of strings, keyboards and clarinets, shed new light on his book of inspiring compositions expanding the Jewish tradition. Bar Kokhba presents over two hours of dark, passionate and evocative Jewish music, featuring some of New York City's finest musicians.
AllMusic Review by Marc Gilman
Bar Kokhba encompasses the wealth of material John Zorn has composed with his eminent quartet Masada. The album is a collection of Masada songs that have been rearranged for chamber ensembles. For this effort, Zorn enlists some of New York's finest musicians: John Medeski, Marc Ribot, Anthony Coleman, and Erik Freedlander, among others.
The compositions range from groups of four to solo performances by Ribot, Medeski, and Coleman. While some compositions retain their original structure and sound, some are expanded and probed by Zorn's arrangements, and resemble avant-garde classical music more than jazz. But this is the beauty of the album; the ensembles provide a forum for Zorn to expand his compositions.
The album consistently impresses, and the highlights include "Gevurah," "Paran," and "Mochin." Zorn's genius as both songwriter and arranger are evidenced, and the recording sits well among the traditional Masada material.
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